Started June 2011
For the upcoming Sunday Fantasy Tea at Costume College, at the end of July, I had a time span to choose from for my gown of 1890-1914. One of my favorite movies, The Golden Bowl, had an exquisite gown I wanted to use as my inspiration. I loved the front trim and belt on it.
I had to decide did I want to go for straight sleeves or poofy sleeves, either of which would put it in it’s own time period.
After looking at these two photos, one from 1889, & the Worth gown from 1894, I chose a poofy sleeve, and I also liked bows on them.
I was also able to separate the laces by cutting them to use in different parts of the gown for trim.
I used Truly Victorian’s 490 1892 ballgown bodice, but reversed it’s opening to the front. The sleeves were made from TV’s 495 sleeve patterns, View #5. I had planned to use TV’s 297 matching skirt but didn’t have enough fabric so I used Laughing Moon’s 1890 5-gore skirt pattern, which really looked nice with it’s train. For the Medici belt I used Timeless Stitches’ TSA-525 pattern, and lined it with buckram
For the upcoming Sunday Fantasy Tea at Costume College, at the end of July, I had a time span to choose from for my gown of 1890-1914. One of my favorite movies, The Golden Bowl, had an exquisite gown I wanted to use as my inspiration. I loved the front trim and belt on it.
I had to decide did I want to go for straight sleeves or poofy sleeves, either of which would put it in it’s own time period.
After looking at these two photos, one from 1889, & the Worth gown from 1894, I chose a poofy sleeve, and I also liked bows on them.
My changeable aqua silk taffeta came from the LA Garment District, and on another trip I found this net lace yardage at Fabrics & Fabrics in the same area. The net fabric had two different types of lace trim on it that I knew would be perfect for doing a two tiered sleeve effect. I gathered the fabric under the first row of lace to create the lower flounce. It is heavy so at some point I’m going to try & use part of the netting and make it into stiff poof with some stiffener under the upper part of the sleeve.
I was also able to separate the laces by cutting them to use in different parts of the gown for trim.
I used Truly Victorian’s 490 1892 ballgown bodice, but reversed it’s opening to the front. The sleeves were made from TV’s 495 sleeve patterns, View #5. I had planned to use TV’s 297 matching skirt but didn’t have enough fabric so I used Laughing Moon’s 1890 5-gore skirt pattern, which really looked nice with it’s train. For the Medici belt I used Timeless Stitches’ TSA-525 pattern, and lined it with buckram
I already had a muslin made from this bodice pattern so with a few alterations, I was able to get it sewn in a day, and the skirt also went together very quickly. Since the finished gown would have the bodice tucked in to the skirt waist, with a belt over the top, I wasn’t sure if I should alter the bottom shape but decided it could always be worn later w/o the belt and the bodice outside the skirt.
I pinned the sleeves on to get an idea of the look I wanted.
For the lace around the neck, I cut one row of the lace trim off the netting. I had to cut away the netting from it and I let the points dangle from it. Since it was a straight line, it was hard to get it to curve with my neckline. It was too bulky to do any tucking and would have altered the line of it. I cut it into two lengths and had it start at my front opening, and go around to the back, on both sides. I barely had enough to come together in the back and had to let it split there. At the center front there will be some kind of decoration there, possibly a self fabric bow and the rhinestone bow I have. I put the Medici belt I made on it, and put three large rhinestone buttons down the middle and a lace appliqué on either side to accentuate it. In the back where it will close, I added a rhinestone buckle for some back interest.
I started thinking about how I wanted the trim on the skirt to connect up with the bodice, and didn’t have enough net fabric to do anything on it, so I pulled out a lace trim from my stash that had a similar point showing on the neckline. After a couple trips to a fabric store looking for lace appliqués to put around the front of the skirt, I was only able to find one I liked, and centered it in the front.
This gown is still in progress and needs it’s final center front trim, and closures put in, and the bows put on the sleeves. But my favorite view of it right now is from the back. If I could walk around backwards and keep my train gracefully trailing behind me, I would die happy.
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